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Revista Interamericana de Bibliografía (RIB)
Número: 1
Título: 1998


Ades, D. “Frida Kahlo and Tina Modotti.” TLS - The Times Literary Supplement, 1982.

“Art: Mexico at the Met, the Biggest Show Ever.” Time: 80, 1990.

Review of Mexico: Splendors of Thirty Centuries, an exhibition of paintings and works by Mexican artists, including Kahlo, on display at the New York Metropolitan Museum of Art.

Baker, Kenneth. “S.F. Works Enhance Kahlo Show.” San Francisco Chronicle: Section E, p.3, 1992 Aug 13.

Review of Pasión por Frida, the Mexican Museum’s exhibition of the works of Frida Kahlo at Fort Mason through September 13, 1992.

Berna-Heath, Diane. “Persistence Pays.” Southwest Art: 26, 1993.

Bourdon, David. “Surrealism’s Forgotten Women.” Vogue: 74, 1986.

Review of Whitney Chadwick’s Women Artists and the Surrealist Movement.

Brown, Betty Ann. “A Politician of the Personal.” Artweek: 6-7, 1987.

Review of Dolores Olmedo’s collection of Kahlo paintings and drawings at the Plaza de la Raza in Los Angeles, 1986.

Burchard, Hank. “Frida Kahlo: A life force.” Washington Post: Section WW, p. 62, 1991.

Exhibition review of Lola Alvarez Bravo: Portraits of Frida Kahlo, at the National Museum of Women in the Arts in Washington, DC, through March 15, 1992.

Casa Azul: Museum. Brussels: Europalia; 1993.

Reviews the exhibition of photographs of Kahlo’s residence, the so-called Blue House, at the Palais Lange Voorhout in The Hague, September 21 - November 1993.

Chadwick, Susan. “Drawing from Life.” The Houston Post: Section H. p. 16, 1993.

Brief profile of Kahlo, whose work is on view at the Museum of Fine Arts in Houston, June 6 - August 29, 1993.

“Frida Kahlo Exhibit Explores the Power of her Work.” The Houston Post: Section D, p.2, 1993.

Review of The World of Frida Kahlo, an exhibition of drawings and paintings by Kahlo at the Museum of Fine Arts in Houston, June 6 - August 29, 1993.

_________. “The Last Gasp of Summer Exhibits.” The Houston Post: Section H. p. 15, 1993.

Discussion of art shows in the Houston area, including The World of Frida Kahlo, at the Museum of Fine Arts in Houston, June 6 - August 29, 1993.

Cohen, Ronny. “New York: Women in Mexico.” Artforum: 127-28, 1991.

Review of an exhibition of works by Mexican artists Kahlo, Tina Modotti, and Remedios Varo at the National Academy of Design in New York City.

Danto, Ginger. “Latin American Art, 1911- 1968: National Museum of Modern Art/Pompidou Center.” Art News: 123, 1993.

Review of Latin American Art, 1911-1968 at the National Museum of Modern ArtPompidou Center in New York, June 1993, which contained sixteen paintings by Frida Kahlo.

Feaver, William. “Art in Latin America.” ART news: 179, 1989.

Review of Art in Latin America, Hayward Gallery, London.

Figurola-Ferretti, Luis. “Arte mejicano contemporaneo: Frida Kahlo, Vicente Rojo, y Alvarez Bravo.” Goya: 171-72, 1985.

Review of works by three Mexican artists at the Salas Pablos Ruiz Picasso, in Spain.

Grundburg, Andy. “Portraits of Frida Kahlo and Friends.” The New York Times: Section C, p. 38, 1990.

Review of the photography exhibit Portraits of Frida Kahlo and Friends, at the Carla Stellweg gallery, New York.

Johnson, Ken. “Hearts and Minds.” Art in America: 43-47, 1992.

Review of an exhibition on the use of the symbol of Christ’s bleeding heart in contemporary Latin American art at Boston’s Institute of Contemporary Art.

Johnson, Patricia C. “Frida Kahlo Stars in Artworks, Opera: MFA Exhibit Offers Pictorial Autobiography.” Houston Chronicle: Section D, p. 1, 1993.

Review of art exhibit at the Museum of Fine Arts in Houston, through August 29, 1993.

_________. “A Life of Art.” Houston Chronicle: Section D, p. 1:2, 1993.

The life and art of the artist is reviewed for the upcoming exhibit on “The World of Frida Kahlo,” on display at the Museum of Fine Arts in Houston, June 6, 1993.

Jordan, Jim. “A House as Biography.” Artweek: 12, 1987.

Review of anexhibit of Frida Kahlo’s work at the Robert Koch Gallery, San Francisco.

Larson, Kay. “Art.” New York: 66, 1993.

Review of “Latin American Artists of the 20th Century” at the Museum of Modern Art, New York, through September 7, 1993.

_________. “Frida Kahlo.” New York: 82, 1983.

Grey Art Gallery, New York.

Leffingwell, Edward. “Latin Soliloquies.” Art in America: 72-83, 1993.

Review of the exhibit Latin American Artists of the 20th Century at the Museum of Modern Art in New York.

Loughery, John. “The Art of the Fantastic: From Tamayo to Rabell.” Arts Magazine: 6870, 1988.

Review of “The Art of the Fantastic: From Tamayo to Rabell,” on exhibit at the Indianapolis Museum of Art.

MacAdam, Barbara. “Postcards from the Edge.” ARTnews: 16, 1992.

Review of The Unkown Frida, The Woman Behind The Work, Louis Newman Gallery, Los Angeles.

Marin, J. “The Body in Painting.” Goya: 228-33, 1993.

Review of recent exhibitions throughout France, featuring the works of Botero, Kahlo, and other painters.

Murray, Joan. “Kahlo/Trotsky: Photographs by Debra Bloomfield.” Artweek: 27, 1991.

Review of a photo show at the Matrix Gallery, Berkeley.

Pert, Jed. “So Surreal.” Vogue: 132, 1992.

Frida Kahlo’s art is discussed within the context of the Surrealist art movement as exemplified in the retrospective of the work of the Belgian artist Ren Magritte at the Metropolitan Museum of Art in New York City.

Rodriguez Prompolini, Ida. “Remedios Varo y Frida Kahlo: Dos exposiciones recientes.” Plural: 31-39, 1983.

Rosen, Steven. “Mexican Artist Frida Kahlo Takes Top Billing in ‘Homage’.” Denver Post: Section E, page 1, 1991.

Review of the art exhibit Homage to Frida Kahlo and Diego Rivera, at the Art Department Gallery through May 24, 1991.

Rubinstein, Raphael. “A Hemisphere Decentered: Mexican Art Comes Forth.” Arts Magazine: 68-73, 1991.

Review of an exhibit on Mexican art at the Metropolitan Museum of Art in New York.

Sánchez, Elena. “Frida Kahlo.” Hispanic: 23, 1993.

Review of an exhibition of Kahlo’s works at the Houston Museum of Fine Arts until August 29, 1993.

Sánchez, Sarah M. “Frida: A Tribute to Frida Kahlo.”, 1995.

Unpublished review of a special art exhibit by Cuban painter Josignacio Mota, held at Casa de Mexico, Mexican-American Cultural Center in Miami, Florida, through October 1995. This exhibit featured several portraits of Kahlo, demonstrating how deeply ingrained her image is in Latin American culture.

Smith, Roberta. “Mexico’s Visual Culture is Celebrated this Month.” Vogue: 256, 1990.

Reviews of five exhibitions of Mexican art.

Van Zuylen, Pascale. “Palais Lange Voorhout, Hague.” L’Oeil: 91, 1993.

Review of a show of Kahlo’s works at the Palais Lange Voorhout in The Hague, Holland.

Webster, Mary H. “The Kahlo Enigma.” Artweek: 25, 1992.

West, Alan. “The ‘Bleeding Heart’ Motif Pervades a Contemporary Exhibit.” Christian Science Monitor: page 10, 1991.

Review of El Corazón Sangrante: The Bleeding Heart, an exhibit of works by several Mexican artists, including Kahlo, at Boston’s Institute of Contemporary Art.